ТРАДИЦИОННАЯ СФЕРА И ИННОВАЦИИ В МУЗЫКЕ: ИЗУЧЕНИЕ ИСКУССТВА НА ОСНОВЕ ТЕОРИИ ПОЗНАНИЯ

Abstract

This article uses its own methodology for the study of tradition and innovation in music. In parti-cular, cultural, philosophical and psychological roots were briefly enriched on an interdisciplinary basis. Although tradition and innovation are in harmony, it is said that at times there is a rivalry between the old and the new. But science has theoretically differentiated that it is created in accordance with social needs and aesthetic tastes of the growing and modern generation. A. Camus, Z. Freud on the works of such thinkers as Freud, the main reasons for the emergence of innovation in music were identified. The fact that it is likely to change on a different scale due to the realities of the time has been proved by examples related to the art of jazz. In order to study the traditional field of music and innovation, we will first consider its methodological and theoretical foundations also. This, in turn, means "development", "tradition", "new", "innovation" and so on. It is necessary to focus on conceptual concepts and to explain the situation in relation to the problem. There are also philosophical, cultural, sociological, art, etc. issues related to the traditional field and the art of innovation. Human development is always in the process of replacing the old with the new. It means accepting innovation while preserving some elements of the old. But there are no specific barometers to determine how much of the old will be preserved, how much the new will occur in the same phenomenon. While some industries dominate the level and weight of the old, in some industries many of its elements are lost, leaving only a small level, and innovation prevails. This phenomenon is a kind of law that covers all parts of public life, not only in the field of culture and art.