Технологічні особливості перекладення музичних творів для бандури

Abstract

The purpose of the article is to specify the approach to the interpretation of the expressive means, analyze and classify instrumental, instrumental and vocal compositions, provide recommendations on genre and style features of musical composition in the terms of contemporary instrumental transcription. The research methodology. The application of structural method as to the technological process of bandura transcription revealed expressive means which determined the quality of the process of transcription. The scientific novelty of the article is the development and systematization of the theoretical bases of transcription for bandura; the author defines the stages of work with musical material in the process of the bandura transcription and proposes his own articulations and techniques of sound producing in the transcription process. Conclusions. The understanding of the features of musical expressiveness and their implementation with the help of the instrument is the key element for the bandura transcription process. The person who is performing the transcription, first of all, should familiarize himself with the chosen composition, play it, or listen to the recording or concert performance, recreate the original work in a new instrumental context in his imagination taking into account the timbre similarity of the sounding of the instrument. Interpenetration of different types of tunes is realized by the creative application of articulation. The main articulations are a pluck of fingertips, a pluck of a fingernail, a combined pluck, stroke and a pluck stroke. Dynamic and agogical accent, dynamic evenness of sound, various articulation techniques and performance dynamics depend on using of these techniques. Sometimes a piece of music requires significant changes to be adapted for bandura as close as possible.