Abstract
The authentic position of the steppe chronotope in the poetic world of A. Tarkovsky is emphasized in the article. It is the artistic space that absorbs the most important ideas that form the author’s concept and philosophy. The steppe contains many of the poet’s cultural and personal associations, and it is also a space inhabited by characters important for Arseny Tarkovsky. In particular, the closest interlocutors of the lyrical subject, Grigory Skovoroda and Ovid, are inextricably linked with the steppe universe.
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