Abstract
The paper aims to determine the features of studying St. Petersburg and Moscow texts in the Russian literature from the opinion of Chinese literary studies, to give a general pointview of the main directions of modern research in China. The innovation of this paper consists in profound studying new theoretical material in recent years. We come to the conclusion that, first, the considerable attention is paid to studying Moscow texts in the works of writers of the 20th and 21st centuries, such as B. L. Pasternak, A. I. Solzhenitsyn, V. A. Piecukh, etc. As for the St. Petersburg text, Chinese literary scholars are interested in the works of N. V. Gogol, F. M. Dostoevsky, A. N. Varlamov, etc. Second, as time goes on, the image of Moscow and St.Petersburg develops, and they are closely linked to history, culture, and religion. Third, from the urban text to the supertext, Fu Chinghuan’s research plays an important role in China. Finally, we must explore the St. Petersburg synthetic supertext in terms of culture and language.
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