Abstract

About 155 years of Qin Dynasty was a series of political turmoil: upheaval of the Eight Princesses, Yongjia Rebellion, collapse of Seojin, and moving to the south and founding Dongjin. Poets made investigative and formalistic poetry during the years of Taegang (280∼289) enjoying short prosperity and later made Hyeoneon-si and Yooseon-si neglecting reality and drawing an immortal world. About such poems in Qin Dynasty, compilers of the collection of ancient poems in later age, especially Qing Dynasty began to put forth their opinion with the curiosity of how such poems were evaluated. As a way to know such evaluation, they chose 『Gosigi』, 『Chaesukdanggosiseon』, 『Gosiwon』, and 『Gosisangseok』 - four collection books of ancient poems made in Ming and Qing Dynasties, made common lists of poems in Qin Dynasty, and analyzed the poems. First, this study divided major authors and anonymous works shown in the common lists for analysis. Next, in the subcategory of major authors, it classified again, in a chronological order, the representative authors who had led the years of Taegang (280∼289) into the works of Janghwa, Jangjae, Janghyeop, Yukgi, Yukun, Banak, Banni, and Gwasa and those of Yugon and Gwakbak and finally looked at the works of Tao Yan Ming occupying the largest number of works in the common list. As a result, it could be found that compilers of the collection of ancient poems in later age, especially Qing Dynasty selected the works of poets who included period as it was rather than the works neglecting reality and included them into the collection of poems and this was significant in that the compilers of the collection of ancient poems in Qing Dynasty wanted to find from the poetry in Qing Dynasty.

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