Abstract
This paper propose the direction of planning cultural contents that allow cultural others. To this end, compared to play, novel, total theatre, and cultural park produced using the cultural archetype of Asanyeo, this paper examines the problems of space raised by Shin Dong-yeop’s Seoggatap . Chapter 2 examines the problems of spatial closure by analyzing mainstream cultural contents in consideration of the influence on the lives of Koreans. In order to prove that the division of space was reinforced and reproduced by supplementing the composition of art/love in addition to the traditional dichotomy of inside/outside, sacred/secular, the texts of the colonial era and cultural contents of the 21st century are analyzed. Chapter 3 analyzes the phantom of the Asanyeo appearing in the stage space of the Seoggatap and analyzes that Asanyeo's inheritance heir, Asadal declares at the end of the play to expand the dichotomously limited space by all divisions. Referring to this, it is suggested that the planners of Seoggatap can inherit the original plan to create an unprecedented work of art by inviting cultural others into the inner and outer spaces while considering the historically completed spatial closure.
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