Abstract
The article is devoted to one of the most complex phenomena of the dialectic of cultural development – individual spiritual identification through the selection and development of individual components of a foreign cultural spiritual resource, in this case – the traditional cultures of China and Japan. Contrary to its predominantly factual scientific consideration in the context of issues of cultural borrowing, "spiritual migration" to the East is analyzed as a stable trend, which has its source in the essential intentions of man, remaining not only constant in the centuries-old past of mankind, but also inescapable in its further cultural movement. In this context, the author considers the historical manifestations of heightened interest in the treasures of the Far Eastern cultural area, its transformation from a simple admiration for exotics to confessing the philosophical and worldview guidelines presented by them. The phenomenon of the cultural trend studied in this way, having demonstrated its ability to identify and preserve spiritual recreation, is revealed in its direct connection with the dialectical processes of the cultural development of mankind. In culturology, fashion and the processes of trend formation belong to the issues of the essential series, because they reveal a person's constant desire for change motivated by self-development. According to historical evidence, the orbit of fashion as a way of cultural identification includes not only material and procedural phenomena, but also cultural and ideological complexes with their own model of worldview and behavioral regulations. The emphasis on them arises from the needs of personal self-identification, problematized by the circumstances of personal or public life. The motive for such a choice is the search for a spiritual optimum conducive to self-realization and inner freedom of self-expression. Its absence forms compensatory "trend nodes", the appearance of which is thus predictable, as well as the resource needed to meet this cultural demand. It is at the disposal of cultures formed on the basis of philosophical and worldview universals that consider man as a significant unit of the universe. Some of them are gone, but the cultural memory of mankind preserves the memory of their legacy left to intellectuals. The existing traditional cultures, which for thousands of years nurtured their spiritual core, becoming a Mecca for the spiritually thirsty, have the integral effectiveness of the resource.
Highlights
Aspects of countering the system and anti-system are considered in the Strugatsky brothers ' novel "Snail on the slope"
It is proved that science fiction writers managed to recreate quite complex aspects of the interaction of various systems within the framework of literary heritage
Strugatsky brothers have worked out in detail the mechanism of the inability to evolve into the future without radical changes in the essence of man
Summary
Присвячено одному з найскладніших явищ діалектики розвитку культури – індивідуальній духовній ідентифікації шляхом вибору й освоєння іншокультурного духовного ресурсу, а саме – окремих складових традиційних культур Китаю і Японії. Саме тому звернення до Сходу у такому випадку має на меті не його традиційне протиставлення Заходу, а з'ясування його ресурсності для збереження і розвитку роду "Людина". У процесі розгляду зазначеного аспекту проблеми був проаналізований значний масив джерел, пов'язаних із виявами сучасної моди на китайсько-японський Схід, зокрема, у fashion, ландшафтній архітектурі, дизайні Метою статті є аналіз моди на Схід як закономірного явища розвитку культури, пов'язаного із проблемами духовної самоідентифікації та пошуку людиною продуктивних духовно-рекреаційних ніш поза межами власної культурної автохтонності. Однак як "китайщина" було перекладено і французьке слово "шинуазрі", створене для позначення стилізації під майстрів Китаю й інших країн Східної Азії, імітації їхніх традицій у більшості видів мистецтва й, варто додати, – у способі облаштування життя. The Kyoto Costume Institute. [Електронний ресурс]. – Режим доступу: https://artsandculture.google.com/entity/ японизм/m05xkth?hl=ru
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