Abstract
The authors of the article reflect on the processes of technical modernization of modern culture and on the modern reflection on the increasingly active introduction of new technologies in the field of art and art researches. There is an increasingly widespread nature of creativity and the inevitability of a long-term adaptation of a person to the results of his own creativity — which is another round of the eternal conflict between the creator and the creation. The article also examines the era of the 1920s, when art was intensively turning to the motives of machine, technical, and automatic world, giving rise to various interpretations of the interaction of man and machine, man and automaton. The theme continues with an appeal to the images of the robot child in American cinema of the second half of the 20th — beginning of the 21th century and to the vast field of modern science fiction art, which analyzes the current problems of civilization and, above all, communication systems — including the possibility of mass infections, the phenomenon of parasitic organisms, dystopian patterns of social relations. The scientific and artistic discourses are in close interaction.
Highlights
В данной статье авторы размышляют о процессах технической модернизации современ‐ ной культуры и о современной рефлексии по поводу все более активного внедрения новых технологий в сферу искусства и науку об искусстве
The authors of the article reflect on the processes of technical modernization of modern culture and on the modern reflection on the increasingly active introduction of new technologies in the field of art and art researches
There is an increasingly widespread nature of creativity and the inevitability of a long-term adaptation of a person to the results of his own creativity — which is another round of the eternal conflict between the creator and the creation
Summary
В данной статье авторы размышляют о процессах технической модернизации современ‐ ной культуры и о современной рефлексии по поводу все более активного внедрения новых технологий в сферу искусства и науку об искусстве. B.A. student at the Department of Theory and History of Art, Russian State University for the Humanities, Moscow ORCID ID: 0000–0002–0216–0521 bykanovlisa@gmail.com Если только не вспомнить вовремя о том, что компьютер — это порождение и, стало быть, в к акой-то степени продолжение человека.
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