Abstract

The article is devoted to a thematic study of the history of the emergence and development of the architecture of theater buildings as a specific area of architectural creativity. Theater buildings have always been located, and are located today, in the public centers of large cities and urban agglomerations. These buildings perform an important cultural and educational function and are distinguished by architectural uniqueness and originality. They play an important organizing role in the architectural ensembles of city streets and squares, emphasizing the prospects of avenues and boulevards. The article gives examples of theatrical buildings of antiquity, the Renaissance, the classical period and theatrical buildings of recent years. The image of the theater of Dionysus in Athens, on the slope of the Athenian acropolis, is used as an image of an ancient theatrical building. The most characteristic example of the Italian Renaissance theater is the Teatro Olimpico in Vicenza, designed by Andrea Palladio in 1580. In the interior of the theater, Palladio imitated the open space of Greek amphitheaters and the architectural style of ancient Rome. The Odessa Opera House can serve as an example of the development of the achievements of theatrical architecture of the 19th century. The most achievements of theatrical architecture of the 19th century. The most striking example of the theater of the 20th century is the Sydney Opera House – a symbol of new architecture created based on new building technologies. The 21st century is represented by more modern buildings: the Walt Disney Concert Hall in Los Angeles, the Poly Grand Theater in Shanghai, the New Philharmonic in Paris. Each building is a certain iconic phenomenon in the history of architecture and opens up new perspectives for rethinking the historical experience of the formation of such buildings. The architects made the most of the entire set of expressive means in order to draw the viewer's attention to the external appearance of the theater. Creating a background for the perception of a theatrical production and forming a sense of the continuity of the cultural space of theatrical art.

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