Abstract
The hypothesis on the existence of a specific Kaliningrad text as a metatext, which emerged in the conditions of regional subculture, is put forward and confirmed in the framework of the semiotic paradigm of culture analysis. Metatext is understood as an invariant of all texts within the given culture, which embodies the content, world image, and sociocultural codes of the culture. The content and structure of the metatext are determined by the analysis of different cultural texts.
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