Abstract

This article analyzes the problems of the philosophy of postmodernism, which influenced the musical culture of the XX century. Postmodernism is seen as a modern worldview – a kind of protest against reality and at the same time a kind of summing up and rethinking. The musical culture of the last third of the XX century is a complex phenomenon, characterized by diversity, infinite variability, eclecticism. The emergence of new forms, genres, styles, trends in music indicates new turns in musical thinking, generating other semantic layers in the art of this period, designated by researchers as postmodernism. The relevance of the study of musical postmodernism is determined by the current position of musical art in the modern cultural space, influenced by postmodernism in science and art. It is important to note that at this stage of the development of musicology, postmodernism is in the phase of study, whereas in philosophical and aesthetic teachings, a number of different studies are devoted to the direction of postmodernism.

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