Abstract
The article presents an analysis of the poetics of S. Komarov’s book from the point of view of hermeneutical reading of lyrical plots, their intertextual potential, the cyclical role of the motivic structure, the figurative realization of some mythologies, as well as the identification of stylistic dominants and forms of form-making. The work is mainly aimed at interpreting allegorical codes reflecting the metaphorical complexity of the individual author’s vision, and in general reveals the deep processes that go on in modern poetry of Russia, taking into account its multi-regionality. The accumulation of concrete analytical material regarding the texts of the last decade is an important task of Russian philology.
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