Abstract
The present thesis was designed to explore the development process of Beijing’s theatrical field through overall operations of Liyuan-Huiguan in Beiging during the period of Qing Dynasty as well as through changes of the drama troupes which belonged to Liyuan-Huiguan and the theaters which took part in the activities of Liyuan-Huiguan on the basis of the inscriptions contained in『Beijingliyuanjinshiwenzilu (北京梨園金石文字錄)』.<BR> During the Qing Dynasty in Beijing, two Liyuan-Huiguans coexisted: Liyuanguan and Jingzhongmiao Temple (精忠廟). Liyuanguan was purely a guild of Chinese opera actors in charge of its own primary functions, while Jingzhongmiao Temple was committed to perform public functions in connection with the government
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