Abstract
The process of liberation of Bulgarian culture from the orthodox aesthetics founded on class politics began in 1956 as an integral part of the general process of destalinisation and developed thanks to the formation of another generation of researchers in the field of aesthetics and criticism. This process developed mainly along the following lines: a) a search for a new answer to the question of what the essence of art is, an emphasis on its humanistic significance and critical social role; b) a decisive move closer to the current problems of artistic creation and to the innovative artifacts of modern Western art; c) the autonomous presence of art in social life requires a fundamental rethinking of form in relation to artistic content.
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