공공미술로서의 ‘소녀상’과 재현의 정치학

Abstract

The artwork entitled "Statue of a Girl of Peace," which first appeared in 2011, is basically a sculpture using a realistic representative method, but it also encompasses the context of a modern public art movement that gains meaning when placed in a particular place: the scene, a subject of much discussion and developing into a unique "cultural phenomenon." This paper attempts to examine the historical meaning and limitations of this work and its historicity by simultaneously arguing for the discourse topography of representative politics along with the art historical contexts implied by the work.