لغة الأداء في خطب معركة النهروان

Abstract

Our study of the language of performance in the Battle of Nahrawan focused on the components of the artistic image, which are: First: the analogy, which is one of the most important components of the artistic Image, and Its purpose is to reveal what Is between the semi-hidden implications, but rather the rhythm of symmetry between the different elements of the universe in what the original writer brings from the reshaping of the world. Through our research, we note the heavy reliance on simile in the speeches of the Battle of Nahrawan, and the intention behind this Is to establish an argument against the recipient of the speech by bringing the meanings closer and materializing them to realize the dimensions of the argumentative image. Second: metaphor, which is the use of the word In a way other than what It was originally set for, due to a relationship that exists between the original and figurative meanings. By following the texts of Imam Ali (peace be upon him) In the battle of Nahrawan, we find that they have different connotations and multiple colors. In his sermon (peace be upon him) when he wanted to mobilize people to he people of Levant, he resorted in addressing them to relying on the method of reprimand to give the text an element of surprise. Third: Metonymy: The purpose of It is to prove a meaning from the meanings, so the speaker does not mention it with the word set for him in the language, but he comes to the meaning and it is next to It in existence, so he refers to It and makes It a proof of it, and the writer uses the metaphorical image to hide the meanings, suggestion and interpretation. And Imam Ali (peace be upon him) expressed through the metaphorical images all the allusive meanings in himself from its original, abstract meaning, and this characteristic made his texts more accurate and with valuable stylistic connotations that attracted the attention of the recipient