Abstract
This paper discusses the life and oeuvre of Pushkin and his closest milieu from the point of view of two important dispositifs, or artistic and behavourial strategies, namely libertinage and dandyism. The author points out that in the Russian context they intermingle and influence each other. The paper consists of four parts: 1. Pushkin the libertine and the “Green Lamp” debate; 2. Pushkin the dandy; 3. Dandyism and libertinage in Eugene Onegin; 4. Aleksei Vul'f as Pushkin's “disciple and follower”.
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