Abstract
The article is devoted to analysing A. Pudin’s biographical plays “Sibelius’s Fourth Symphony”, “Don Stefano”, “Oh, Marten Plays…”. The study focuses on describing the author’s artistic techniques and identifying the nature of dramaturgical conflict. The following distinctive features of A. Pudin’s plays are identified: personages’ creative biography is considered through the lenses of their spiritual world; monologue as a means of the character’s psychologization; characters’ internal motives determine the nature of conflict and storyline development; external historical and political factors influencing the hero’s tragic destiny.
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