إسلوب الإيقاع الداخلي في شعر الصرصري

Abstract

This study, tagged with (the style of the internal rhythm of Sarsari) sought to study the internal rhythm and enter into the poetry of Sarsari through a stylistic study, and to analyze all linguistic phenomena found in poetic texts by relying on the stylistic principles represented in phonetic stylistic structures, the researcher used the descriptive analytical approach In order to determine the language of the poet, his style, his poetic experience, and his artistic formations, as well as access to the significance of the texts, and the extent of the poet's ability to influence the recipient. These vocal formations were exemplified in the study of Al-Sarari’s rhythms through models of his poetry, and the elements of internal rhythm in the poet’s poetic discourse varied between (vocal or verbal repetition) and other rhythmic units such as (anagrams, parallelism, and letter distribution), which helped this On highlighting the aesthetics of the text and its meanings, the use of these intonations and linguistic units revealed the poet’s ability to express his feelings of pent-up obsessions and feelings, and This results from the good choice of the constructor for its phrases and words and the quality of its arrangement. The study of the internal rhythm was reflected in the psyche of the recipient, and this is the poet's deep vision that came through his poetry in its significance, inspiration, and beauty.