Abstract

When we carefully look at the path of growth and development of Kyrgyz literature, the main ideological and aesthetic trends, an endless and large-scale creative world is drawn before our eyes. Of course, every nation has its own spiritual manifestation. The pure spring flowing from that spring becomes a huge river, which gradually increases in size and rages. Today's Kyrgyz national literature seems to us to be a creative environment. Folk art, the poetry of singers, living in constant movement spontaneously, whose waves smashed mountains, are full of noble thought, wonderful words, songs accompanied by (“Manas”), caustic, flooding cheeks with laughter, is considered a treasure of jokes. Each of them was acquired in its own way by Kyrgyz scientists in special collective studies, but it is still clear that it is impossible to completely solve the above issues within the framework of one dissertation research or textbook.

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