Abstract
The article reflects the history and stages of the study of Khanty folklore from the first half of the XIX century until now. The characteristic of the modern period of studying folklore, formulated by the author of its periodization T.V. Voldina, is published for the first time. The article discusses details of collecting and storing various folklore genres taking into account the mentality of performers, and highlights tasks for institutions that collect, store and study the intangible cultural heritage of indigenous peoples of the North.
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