СУБЪЕКТИВНОСТЬ ВОСПРИЯТИЯ ВРЕМЕНИ В МИФОТВОРЧЕСТВЕ СОВЕТСКОЙ ЭПОХИ

Abstract

Time is the basic concept of modern cultural and socio-cultural knowledge. Being a part of the chronotope, the concept of time in the history of culture becomes self-sufficient and is represented at different levels. The discourse of time sets an axiological system of coordinates and cultural codes that allow us to reveal the essential characteristics of different types of culture. The most representative transformation of ideas about time is represented in Soviet culture, which claims to model a new picture of the world. The article deals with the mythological discourse of time, which reveals the temporality of human existence in the Soviet era. The author analyzes the structure and semantic content of the definition of mythological time, determines the vectors of subjectivization of time in the process of myth-making. Mythological time cycles and holidays created during the Soviet period are outlined, and the futuristic and utopian nature of the time paradigm is revealed. When discussing the topic, the author turns to the representation of the perception of time in artistic and everyday practices, and notes the transformation and evolution of the discourse of timein relation to theoretical models of temporality. The author notes the ritual nature of Soviet culture, in which time becomes not only a condition for the existence of the ritual, but also its content aspect. The time paradigm becomes the ontological basis for the formation of the Soviet canon in art. The article outlines the continuity and originality of the subjectivization of time in the myth-making of the Soviet era, which can become the basis for understanding the evolution and paradoxical nature of the temporal discourse of modernity.