Специфіка роботи концертмейстера в умовах дистанційного навчання

Abstract

The process of transformation of all spheres of human life initiates as a result of the trials facing modern humanity in connection with the Covid-19 pandemic. After the introduction of distance learning in most higher education institutions of Ukraine, the process of changing the activities of many participants in the educational process has begun. Teaching theoretical disciplines is easy to transform into an online format, while practical skills are more difficult to form remotely. Many questions arise due to the need to review the activities of an accompanist who works with a choir or ensemble. Accordingly, it is necessary to identify promising areas of work of the accompanist in terms of distance learning and outline the possibilities of their implementation in the educational process. The purpose of the article is to reveal the specifics of the work of concertmasters in distance learning. It is necessary to identify the main forms of work of the concertmaster with the choir and ensemble, as well as to present opportunities to carry them out online, without compromising the level of productivity. The scientific methodology is associated with the use of methods of analysis, synthesis. The results of the research illustrate possible forms of work of the concertmaster with performing groups under the condition of distance learning. Conclusions. Among the possible ways to carry out the work of the concertmaster with groups is the preparation of audio recordings with exercises that will be used during the individual work of students. It is also necessary to create audio versions of the repertoire - instrumental accompaniment, individual parts. Much attention should be paid to the collective forms of interaction of all artists with the help of software applications Zoom and Google Meet. During group classes, it is necessary to pay attention to the selection of stages of the drama of a musical work, analysis of artistic and figurative content, outlining the problematic issues that arise in the process of performance. Modern technologies do not yet provide the ability to perform a work in an ensemble presentation in software applications, due to the delay in sound reproduction.