Abstract
Tsmak as an artistic reality is an existential construct in H. Matevosyan’s artistic system. In the semantic center of the writer’s aesthetic worldview Tsmakut embodies the concept of homeland. Tsmak as a geographical unit exists in a certain temporal dimension. Adhering to the aesthetic criteria of the time, H. Matevosyan restores the genealogy of the cradle-homeland and its identity with the aesthetic standards of the time.
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