Abstract
In environmental design, great importance is attached to the function, ergonomics and economy of the object, but aesthetic parameters are extremely important to fully meet the modern requirements of environmental design. This article is devoted to the aesthetic comprehension of the material basis of the environment, on the basis of which the aesthetics forms in design. Within environmental creativity, there is the possibility of an unhindered transition of one form of aesthetic activity into another. Their joint implementation is due to their development on the same material basis of the environment. A complete solution to aesthetic problems can only be found if their solution can be relevant to the solution of functional, economic and technical problems. Environmental design is a specific area of activity for the development of a subject-spatial environment, in order to give the design results high consumer properties and aesthetic qualities. Aesthetic activity in environmental design is a generator of expressive forms of any sphere of human activity, given as an independent and sensually expressed value. A positive aesthetic assessment of the subject-spatial environment takes place only by means of a sense of harmony between the appropriate organization and the beautiful image of the form.
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