Abstract
In recent years, specialized media have increasingly focused on the so – called “neural creativity” – works created by special algorithms. The digitalization of art is becoming more widespread, and objects created by neural networks are popular and even sold by such well-known auction houses as Christie's. However, the legal status of such “works” has not yet been determined, as well as the question of who is their author. This review examines Russian and foreign legislation and doctrine on how copyright should resolve the issues raised.
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