Становление и развитие чувашской фольклористики и литературоведения XIX в.

D Abasheva,V Sigov,R Sharyafetdinov

doi:10.31862/2500-2953-2018-4-190-203

Abstract

History of literary criticism of various nations of Russia in the 19th century is many-sided and is important both for further development of literature and for the process of mutual enrichment, addition of literatures and literary studies. A special place in this context belongs to the Kazan province which has always been characterized by ethnic diversity an multinational structure and to the University of Kazan which is the acknowledged center for studying traditional ways of life, folklore and literature of the Volga region. In the formation of literary criticism and the development of literature of the Volga region in general and Chuvash literature in particular, the activities of the Chuvash writers, actors, artists, composers (I. Yurkin, G. Timofeev, M. Akimov, K. Ivanov, N. Shubossinni, M. Trubina, F. Pavlov, P. Pazukhin, etc.) and researchers (A.A. Fuchs, V.A. Sboev, S.M. Mikhailov, P. Malkhov, I.Ya. Yakovlev, N.M. Ashmarin, etc.) are of special importance.

Highlights

History of literary criticism of various nations of Russia in the 19th century is many-sided and is important both for further development of literature and for the process of mutual enrichment, addition of literatures and literary studies
A special place in this context belongs to the Kazan province which has always been characterized by ethnic diversity an multinational structure and to the University of Kazan which is the acknowledged center for studying traditional ways of life, folklore and literature of the Volga region
Занимавшихся проблемами языка и литературы тюркских и угро-финских народов и в связи с этим так или иначе интересовавшихся вопросами чувашского народно-поэтического творчества, следует упомянуть здесь венгерских исследователей Б

Summary

Introduction

History of literary criticism of various nations of Russia in the 19th century is many-sided and is important both for further development of literature and for the process of mutual enrichment, addition of literatures and literary studies. Скорее всего, были не песни в полном виде, а только отрывки из них, т.к., судя по их смыслу, мы можем заключить, что певец для интересующихся чувашской народной поэзией исполнял фрагменты разных песен. После издания книги Александры Фукс (начиная с 1840-х гг.) в периодической печати и отдельными изданиями регулярно появляются труды по этнографии и фольклору чувашского народа.

Results

Conclusion