Abstract

The article deals with the results of a comprehensive analysis of the molded ceramics of the Burla-3 settlement of the Late Bronze Age, carried out according to the method of A. A. Bobrinsky. Based on the study of molding masses (FM) of ceramic vessels, it has been established that the pottery tradition is represented by several groups associated with populations of different origins. The main one is the autochthonous technology for the use of chamotte as additives, at the same time, foreign cultural methods for the use of gruss are distinguished. The methods of designing vessels made it possible to reveal that the technological scheme of the Sargary-Alekseevsk culture is dominant. Correlation of the obtained data with the ornamental scheme of the ceramic complex made it possible to distinguish several technological groups: “Sargary-Alekseevskaya”, “Dongal”, “Irmenskaya”, and hybrid types between them. Keywords: Burla-3, Ob-Irtysh interfluve, steppe Altai, ceramics, technical and technological analysis, Late Bronze Age Acknowledgments: The article was prepared with the financial support of the Russian Science Foundation, project No. 20–18–00179 “Migration and the Processes of Ethnocultural Interaction as Factors in the Formation of Multiethnic Societies on the Territory of the Greater Altai in Antiquity and the Middle Ages: an Interdisciplinary Analysis of Archaeological and Anthropological Materials”.

Highlights

  • The article deals with the results of a comprehensive analysis of the molded ceramics of the Burla-3 settlement of the Late Bronze Age, carried out according to the method of A

  • Based on the study of molding masses (FM) of ceramic vessels, it has been established that the pottery tradition is represented by several groups associated with populations of different origins

  • The main one is the autochthonous technology for the use of chamotte as additives, at the same time, foreign cultural methods for the use of gruss are distinguished

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Summary

Introduction

В целом керамику группы с подобной посудой поселений Рублево-6 и Жарково-3 сближает преобладание сосудов горшечных форм (по соотношению форм сосудов более близки коллекции Бурлы-3 и Рублево-6), преобладающее использование в орнаментации гребенчатого штампа, преобладание композиционных схем только из одного мотива. Узоры сосудов в основном состоят из двух различных мотивов (33,3 %), реже — только из одного мотива (28,9 %), одного мотива, повторенного три и более раз (15,6 %), трех различных мотивов (13,3 %).

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