Abstract
The article analyzes the formation, development process and distribution of the “akyn- improviser” genre and its preservation among Turkic-speaking peoples such as Turkmon, Bashkurt, Tatars, Uyghur, Azerbaijan, Turk, Kyrgyz, Cossack, Uzbek. The name aitysh is pronounced in Turkmen as “aydışık” (aydyshyk), the Kazakh “aytys”, the Bashkurt “ayutish” ayish, the Uzbek “aytish”, the Tatar “utuşuu” (aytishү), the Uyghur anyuti, euti euti Turkmen “atyshma”. It also analyzes the genre identity, pronunciation, form, thematic features, similarities and differences with the Kyrgyz name. The genre of improvisation is analyzed depending on the specifics of the people. For example, the Uzbek improviser singer R. Mukhamediev, S. Nosirov, the Karakalpak people K. Bazarov, N. Davkaraev, the Turkish people Oguzkhan Aydin, Khasan Kutlusoy, the Kazakh akyn improvisers M. Auezov, S. Makunov, S. Seyfulina, E. Ysmayylova, X. Dosmugamed uulu, A. Baitursunova, M. Gabdullina, B. Kenzhebaev, A. Konuratbaev, Z. Akhmedov, M. Karataev, M. Zharmugamedov, S. Sadyrbaev and etc. the origins of formation, the development process, ideological and genre identity are analyzed.
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