Abstract
The purpose of the research is to apply the concept of installation colouristics in architectural and spatial environment based on genesis in the process of evolution. The content of the article makes it possible to apply new technologies in artistic practice on the basis of the recommendations made. The article is novel in that it is the first to present a study of the colour and light system of installation. As a result, it is proved that at each evolutionary phase of installation, colour and light played an important role in environment perception at the psychophysiological level. The indicated principles of interaction between the object of installation and the environment and the viewer are significant in creating a modern architectural system in art.
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