Ефект мультиплікації в декоруванні посуду доби пізньої бронзи

Abstract

Проаналізовано систему декорування доби пізньої бронзи. Розглянуто ефект мультиплікаціїв оздобленні глиняного посуду означеного періоду.
 The era of light chariots with wheels on spokes drawn by horses was the prologue to the epoch-makingchanges in the transition to the Late Bronze Age. It can be assumed that the contemplation of the rapidmovement of wheels on spokes gave almost the first idea of the effect of multiplication in the societies ofSteppe cattlemen. The vortex effect of the rotational movement of the wheel led to the image of the swastika,i.e. the sacred symbol of the Aryan chariots. The rotation of the swastika mounted on the axle creates anoptical effect of the wheel on the spokes. It was recorded in cases when the swastika was inscribed fromthe outside in the circle of the bottom of the pot. The effect was enhanced when the vessel (cup) had abase, and the circle of the base together with the swastika was even more harmoniously associated withthe rim of the wheel. Rotating the cup in an upside down position on a mobile stand allows you to achievethe effect of animation in the context of the ritual. The era of unprecedented speeds gave impetus to thecreation of new dynamic spectacles. Among them were acrobatic games with a bull, artistically embodiedin the frescoes of the Minos Palace on the island of Crete and other examples of Cretan and MycenaeanArt. Episodes of this game have been recorded in the ancestral homeland of the Mycenaean rulers inthe steppes of Eurasia and in the South Caucasus, in particular petroglyphs of Gobustan, pictograms onceramics and metal. The study is based on a number of assumptions. The author does not have access tothese artefacts, which are currently contained in the museum collections of the four states. But with theirsize, shape and illustrations of iconic compositions, you can make copies, put on a potter's wheel and tryto rotate at different speeds to see if the effect of animation will play on these objects.