Abstract
The relevance of the article is due to the conflict of values reflected in the theatrical forms of postmodernism and the performances of the domestic drama theater. The definition of the concept of "value" is clarified in relation to the theodicy of the Russian religious and philosophical problematics. The identification values of the stage speech culture are determined, as well as their main characteristics in the conditions of historical, socio-cultural and artistic transformations are revealed. The essential values are indicated by: literary centrism, lexico-stylistic normativity, speech dramatism.
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