Abstract
The article considers the author’s artistic subconcept Zerstörung/Destruction, which is included in the nominative field of the dominant concept Krieg/War. Among all the subconcepts that form the nominative field of the Krieg/War dominant concept, this subconcept is the most common. For the first time, the article interprets the nominees describing the destruction implicitly. The joint use of explicit and implicit nominees of the Zerstörung/Destruction subconcept is revealed, which creates a synergy effect when describing the consequences of war.
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