САКРАЛЬНІСТЬ У ПАЛІТРІ СУЧАСНОЇ ЛІТЕРАТУРИ: ГУМАНІЗМ ЧИ ЦІННІСНА ДЕСТРУКТИВНІСТЬ?

Abstract

In a secularized society, on the base of the rapid development of technologization and globalization, we also observe an intensive "return" of the sacred. It "returns" with the growth of nostalgia for the personalism of social relationships. And this return is reflected, in particular, through the phenomena of contemporary art – some of them are filled with appropriate symbolism and emotional atmosphere. Undoubtedly, there is no historical period, which would be characterized by complete secularization and the absence of any sacredness. However, in the modern era, the uniqueness of the sacred is that it is not just a religious phenomenon. Because today's semantic space of the sacred is not only the idea of God, it is also about justice, identity, self-sacrifice and the search for answers. This is one of the main categories of value orientations, which relates to anthropological reality in all its diversity. In this article, the author analyzes the manifestations of the Christian worldview and sacred meanings in modern literature work: the means of their expression and symbolism. After all, the Bible in modern literature is used in a unique way. Definitely, there are still a number of important Christian literature works, but more and more often artists use biblical symbolism to embody their creative ideas without mentioning Christian saints or biblical quotations. The researcher examines a number of particularly popular fantasy novels of the early third millennium, in which the plotline is interwoven with elements of Christian sacredness and value categories, the meanings of their ideological guidelines. Cult literature works are also analyzed, where sacredness is hidden under other layers of meaning. In these works, the sacred is not immediately demonstrated, it may be seen in the value potential of the profane. The reverse side of Christian sacredness is also comprehended – on the basis of works of art about demons and Satan, the artistic and ideological purpose of these works is considered. All this is subordinated to the goal of understanding the influence of ideas about the sacred (and in general – the transcendent) in its modern cultural expression on the transformation of the aesthetic axiosphere. The research is at the interdisciplinary intersection of religious studies, philosophy of religion, culturology and aesthetics.