Abstract

The speech genre of prayer as a component of stereotypical behavior of Persian linguistic culture bearers on the basis of Persian folk omens and superstitions is considered. The historiography of stereotypes, in particular communicative-behavioral stereotypes in modern linguistics, is briefly presented. The concept of speech genre is characterized. According to M. Bakhtin's definition, any human communication is based on certain speech genres, which are often stereotyped. Since the speech genre is the most important category of discourse, the classification of discourses by I. S. Shevchenko and O. I. Morozova is represented. Researchers distinguish the following subtypes of discourse within the socio-situational parameter: political, administrative, legal, military, religious, medical, business, advertising, pedagogical, sports, scientific, electronic (Internet discourse), and media varieties. Ritual type of discourse, which is relevant within the scope of the study, was also added to this typology. The speech genre of Persian folk prayer, verbalized by the words "do'ā" / "verd", is described, since it is folk, not traditional religious prayer in the context of Persian folk omens and superstitions to be a component of stereotypic behavior of Iranians and to perform primarily psychological, phatic and suggestive functions. It is determined that folk prayer in Persian linguistic culture functions not only as an act of saying a certain text to the God or the saints, but also as a talisman or amulet. Traditionally, such talismans are made in the form of texts or sayings from the Qur'an, written on a piece of paper, leather, cloth or metal. People attach these to clothing or simply carry with themselves. The central element of Persian folk prayer is a request. It has been found that there is a number of stereotypes in Persian linguo-mentality associated with images of prayer, which in turn affect the behavior of native speakers in different life circumstances. Analysis of Persian omens and superstitions on the basis of modern fiction has indicated that prayer is associated primarily with the need for protection, satisfaction of needs and hope in the minds of Iranians. It is noted that the appeal of native speakers of the Persian language and culture to folk prayer in certain situations is accompanied by a number of stereotypic ritual and semiotic actions, which demonstrates a combination of religious and magical aspects in their minds. It is stated that the specificity of the Persian speech genre of prayer is in the fact it simultaneously belongs to two types of discourse – religious and ritual.

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