Abstract
This article considers the specifics of theatrical discursive practice as a terminological concept of modern discoursology. The article analyzes super-phrasal dialogical unities as fragments of theatrical analytical interviews. The linguistic analysis of constructions with the author's aphoristic formula shows its key role while organizing the semantic space of the super-phrasal dialogical unity.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.