О парадоксальном способе самосознания: рок-культура как маркер идентичности

Abstract

One of the tools that participate in the transformation of the identity system at the stage of transition from modern culture to postmodern culture is rock culture. It offers a person a number of identification opportunities that have different properties compared to the possibilities of defining oneself in a manner characteristic of modern culture. There is a partial rejection of identity markers characteristic to the modern era. The identity formed by rock culture, in accordance with current theoretical concepts, can be attributed to multiple, small narrative identities. As its fundamental characteristic feature, the presence of an indefinite core of identity is considered, which is understood as a set of phenomena perceived and interpreted by the subject as a basis for establishing one’s own identity with other subjects. This uncertainty lies in the weak definitions of rock, in the desire of subjects to refuse to positively identify themselves with rock, in denying the existence of this phenomenon as such. At the same time, rock does not turn into its own opposite, does not assume the functions of the excluded Other, remaining an object of centrifugal or centripetal motion. In addition, the weakening of the core of identity is due to the fact that the concept of rock turns into the focus of axiological aspirations of the subject. Rock culture is appropriated by the subject, turning into an absolute epicenter of identification. Subjectivity, thus, is taken out of the framework of one’s own personality and is endowed with the characteristics of an object, while receiving the name of rock. The real object for building identity disappears, being replaced by a subject, or at least a separate segment of it.