企劃論文] 일본 번안 소설의 출현과 이도영의 소설 표지화의 혁신

Abstract

Yi Doyeong’s cover images emerged in tandem with the rise of new novels in the late 1900s, gaining prominence in the 1910s. Initially serving descriptive purposes by depicting story introductions and main characters, they drew inspiration from Joseon Dynasty printmaking traditions. However, Yi’s approach evolved significantly with the commercialization of novels, exemplified by his impactful designs for Haingrakdo (Dongyangseowon, 1912) and Okhogiyeon (Bogeupseogwan, 1912). These covers introduced symbolic imagery and dramatic scenes, enhancing reader engagement. Furthermore, Yi’s cover designs underwent further innovation with the adaptation of Japanese novels into Korean literature, such as Tokutomi Roka’s Hototogisu and Kikuchi Yuho’s Onogatsumi. Noteworthy examples include Dugyeonseong (Bogeupseogwan, 1912), an adaptation of Hototogisu, Ssangokru (Bogeupseogwan, 1914), an adaptation of Onogatsumi, and Okjoonghwa (Bogeupseogwan, 1913), inspired by Cho Jung-hwan’s Bulgyeogui, the translated novel of Hototogisu. These covers revolutionized novel design by integrating elements from original Japanese novels, imagery from Subsequent cover images such as Chaebonggambyeolgok (Pakmunseogwan, 1914) and Okjunggain (Singuseorim, 1914) continued to innovate, embracing a more modern book design aesthetic characterized by simplicity, symbolic iconography, and metaphorical imagery.