Abstract
North Korean satirical cartoons in the 1950s were influenced by the Soviet ‘Grotesque caricature.’ It was political and artistic. Grotesque was an effective ideological tool to accuse the public of the denial of imperialism, bureaucracy, and capitalism that hindered socialist utopia and awaken them as the right communists by emphasizing politics and satire through exaggerations, distortions, and metaphors that violated realism. This acceptance of Grotesque aesthetics shows that North Korea enriched the diversity of cartoon forms and was not simply obsessed with realistic descriptions.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
