ОСОБЛИВОСТІ МЕТОДИКИ ВИКЛАДАННЯ ГРИ НА БАНДУРІ Я. Г. ПУХАЛЬСЬКОГО

Abstract

The purpose of the article. The article provides specific recommendations on the observance of traditions in bandura pedagogy, along with the general methodology of modern teaching other instruments, in particular, the guitar as a string instrument. The correct placement of the instrument by the musician and its technical development are considered to be a determinant of reproducing the artistic content of the performed musical work. The research methodology combined the methods of biographical description, analysis of actual pedagogic problems in teaching bandura performance, and systematization of the basic performing principles in the educational process. The scientific novelty of the work consists in revealing the basic principles and methods of increasing the performing skill in connection with the evolutionary development of the bandura and its repertoire, in the context of the execution of the original works and transcriptions-translations by Ya. Pukhalskyi. Conclusions. The consolidation and development of skills for the application of the transfer of the left hand to the substring (Kyiv-type bandura), opens up broad opportunities for performing complex polyphonic works. The acquisition of technical excellence, consisting of a whole complex of necessary elements, allows the performer to accurately reproduce the sound, rhythm, dynamics and other aspects of the musical work. Expanding the range on an existing instrument by adding substrings is interpreted as a progressive path from kobza to bandura.