Abstract
The article presents an analysis of the development of stylistic features of conditionally etaphorical costumes and make-up in the modern Belarusian theater based on the examples of modern performances of the Minsk drama stage. The images are viewed through the context of the integral perception of the performance. The main trends in the development of the figurative solution of the hero in the realities of the Belarusian theater are considered. The author examines a little-studied topic, where, despite numerous scientific works devoted to the activities of the country's theaters, almost no one has turned to studying problems in the field of the character's scenographic image. The author forms a number of problems in creating images for the Belarusian scene, analyzes the most common techniques of conditionally metaphorical costumes of dramatic productions in Minsk and studies problems in the field of the scenographic image of the character in the visual solution of the performance.
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