Abstract

By proper noun we mean the locality whose significance suggest represents a historically known space. This kind of nouns is very frequent in poetry. Though it gained much heed by critics. The constructivist role of the proper noun in its interaction with the poem parts is still luring for further scrutiny. Thus we dedicate this paper to explore its constructivist processing through samples of the Omayyad tripartite.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.