Abstract
On the example of the Internet-discourse dealing with understanding the life and creativity of Konstantin Stupin, the problems associated with formation and approval of the prebiographical image of the Russian rock-poet in the reader’s environment are revealed. Media decoding of different aspects of private life is studied from the standpoint of the confrontation of cultures, moral and aesthetic stances of different recipient groups. The points of contact between the biographed and the biographer as the central subjects of biography are considered. A range of issues is determined, the solution of which is necessary for further theoretical and methodological study of the structure and content of the prebiography and biography of the rock-poet in the context of creative memory of culture.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
