Abstract
The article deals with the peculiarities of the creation of the romantic portrait of the main heroine in S. Syurun-ool’s tale “The Unfinished Story”. The artistic originality of the writer’s narration in this work is the opposition of the appearance and the inner world of two heroines (Kara-kys and Minchimaa). The author endows his heroine Kara-kys with such romantic qualities as dreaminess, sublimity of feelings. The abundance of gestures, outer and inner monologues in the work represent the internal changes of the heroine and express the feelings experienced by her: confusion, excitement, embarrassment and so on. The mystical scene about spilt milk, which is typical of romantics, in the tale shows S. Syurun-ool’s innovation.
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