Abstract
The article is devoted to the analysis of the method of “ascent from the abstract to the concrete” in relation to the abstract fine arts. An analogy is drawn between the concepts of “abstract” and “concrete” in philosophy and fine arts. The interpretations of these categories by Hegel and К. Marx are indicated. The authors distinguished the features that determine the abstract essence of a work of fine art, including thematic content, expressiveness, emotionality and communication. The systematization of works of art according to the degree of abstraction is proposed. The names of the most typical representatives of various directions of abstract art are given.
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