Abstract
This article examines one of the oldest conundra of Slavic historical linguistics, namely the relative chronology of the II regressive and the progressive palatalizations of velar obstruents. To do so, it is first of all shown that these palatalizations constitute two discrete innovations and not a single bidirectional change. On the basis of a thorough analysis of the competing hypotheses it is then argued that the assumption of a relative chronology which dates the progressive before the II regressive palatalization (Pedersen’s chronology), allows the attested forms to be accounted for best. The main complication relating to this chronology concerns certain inflectional endings of the Old Church Slavonic pronouns vьsь and sicь. In the instrumental singular masculine and neuter and the genitive, dative, instrumental and locative plural these pronouns show endings of the hard inflectional type instead of the expected soft-stem endings. Contrary to what may be considered the communis opinio, this peculiarity can, however, be explained by means of a morphological innovation. This assumption is supported by evidence from the medieval Novgorod and Pskov dialects. Three morphological mechanisms, which may have been involved in the rise of the unexpected endings, are discussed: proportional analogy, product-oriented innovation and syntagmatic assimilation. Examples of typologically parallel developments from Slavic and other languages are provided in order to substantiate the claim of a morphological innovation.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.