Дешифровка этимологически неизвестных названий музыкальных инструментов Сибири и Дальнего Востока

Abstract

This study presents etymological deciphering using ancient Japanese ways of reading ancient Chinese scripts of the names for the five types of stringed instruments, known as komuz, tatonpa, sugut, tambur, and tonkori. Based on the phonetic variants of the term komuz written in Roman and Russian alphabets and Chinese scripts, two hypothetical forms *qonbulrsukie and *qonbulrsir were reconstructed: qon ‘sheep’, bulr ‘tendon’, sukie ‘string’, sir ‘string’. As to the form tatonpa, the ancient form *siudonbule {siu ‘boar’ + don ‘gut’ + bule ‘tendon-fiber’} was revealed. The hypothetical form *siugudi {siu ‘boar’ + gudi ‘gut’} was reconstructed from the phonetic variants of the name sugut, written in Chinese scripts. The hypothetical form *donbule {don ‘gut’ + bule ‘tendon-fiber’} was reconstructed from the phonetic variants of the name tambur written in Chinese scripts. An Ainu word tonkori consists of Altaic root-forms don ‘gut’ and kur ‘string-instrument’, followed by an Ainu suffix {i} ‘that’. We have proved that, except for the Ainu suffix {i}, all the root forms linguistically belong to Altaic lan- guages. Not a few ethnographers dealt with the etymological analysis of instrument names encountered in Siberia and the Russian Far East, mainly taking into account the context of shamanism. It is known that shamans used the instruments as tools in healing rituals. However, contrary to our expectations, the reconstructed root forms of the names revealed practical aspects of daily life.