Abstract
The correlate of religion and art is considered from the standpoint of their belonging to the forms of social consciousness, allowing one to reveal the identity of their structure. The model of the religious complex that has developed in the philosophy of religion, including consciousness, activity, relationships, organization, is extrapolated to the phenomenon of art. On this basis, an ontological comparative of religious and artistic consciousness, activity, relations, and organization is presented. These components of the structure are the points of interaction of phenomena, determining the spectrum of relations between religion and art that has developed in culture: determination, integration, complementation, dominance, cooperation. The proposed methodological approach clarifies the onto- and gnosiological platform for understanding the correlate of religion and art and has the potential to systematically clarify aspects of the interaction of religion and art, both in philosophical and in private scientific knowledge.
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