Abstract
In the article, the author reveals the specifics of the artistic and aesthetic views of the outstanding French composer based on the study of the musical text of M. Ravel's chamber-instrumental composition and musicological literature. The authors substantiate the idea of the significance of literary sources for the formation of Ravel's compositional style. Using the analytical method, the author identifies the compositional, dramatic, melodic, textural and Lado-harmonic features of the Ravel string Quartet (1903). The use of the comparative analysis method allowed us to determine the similarity and difference of the approaches Of M. Ravel and C. Debussy in the interpretation of the string Quartet genre. Consideration of the string Quartet in the context Of M. Ravel's work allowed the author to clarify certain aspects of the composer's creative method, to Supplement the ideas about his aesthetic and ideological principles.
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