Abstract
The article is devoted to studying the motive-figurative structure of A. Vampilov’s play “Last Summer in Chulimsk”. The study is focused not on V. Shamanov’s male image, which traditionally attracts researchers’ attention, but on the female image of young heroine Valentina. Special attention is paid to the images of secondary personages with their own background stories. It is shown that innovative techniques of compositional replication, variation, repetition and echoing allow the dramatist to overcome the routine of everyday life and reach the level of existential generalizations, artistic typification and universalization.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
